In the recent surge of new-wave horror exploding on the film scene, no one could have predicted the excellence that is Nicolas Cage in Longlegs.
What do you get when you combine a laundry list of horror movie clichés with writing and directing that fundamentally misunderstands its own source material while clinging to the assertion that horror is the sum of its worst tropes? Well.
The First Omen releases in the wake of various religious horror films coming to theatres as of late, but where does it sit?
In Abigail, audiences are treated to a spectacle of gore, laughter, and vampiric shenanigans that prove once again that not all horror needs to be so dark.
Ghostbusters: Frozen Empire is a charming yet convoluted romp through the world of the Ghostbusters.
Late Night with the Devil is a uniquely crafted satire-horror flick that solidly sets itself up as a soon-to-be Halloween staple.
Immaculate engulfs the viewer in a palpable sense of dread, set against the backdrop of a mysterious Italian convent.
The Australian horror-thriller You’ll Never Find Me emerges as a thrilling testament to the power of atmospheric storytelling.
Imaginary, directed by Jeff Wadlow, combines horror tropes and family drama with a lazy approach that sits comfortably in the realm of ‘dumb fun’.
The dynamic mind of Luca Guadagnino, best known for his powerhouse Call Me By Your Name (2017) and the horror gem Suspiria (2018), which made fanatics squirm, steers the director further into horror with Bones and All, creating a film that has just as much heart as it does bite.
Jordan Peele goes big with Nope but keeps true to his multilayered style, delivering a horror film with a lot to think about.
Filmmaker Peter Strickland has developed a shorthand for horror and tension in his cinematic oeuvre with a fetishistic soundscape of food, objects and even the idiosyncrasies of characters. His latest film, Flux Gourmet, sardonically offers a dual perspective on food as pleasure and pain.
The Innocents sees a small group of kids with telekinetic powers do some horrible things.
After much delay and deliberation, Morbius is finally here for die-hard comic book fans to feast on. But does the troubled villain flick live up to expectations? In a word, no.
Like an adult film, no one is watching a slasher for its plot. X is an erotic slasher with all the glory and sadly not enough of the gore.
In a film where right and wrong are so carefully defined, Fresh finds itself torn between genres.