Much like the life of its muse, Benediction tosses between the translucent and opaque, the subtle and overt.
A film that is experienced more than viewed, Memoria brings slow cinema to the forefront of arthouse films.
Like an adult film, no one is watching a slasher for its plot. X is an erotic slasher with all the glory and sadly not enough of the gore.
As ever-changing Australian Iconography is scattered across every wall, Friends and Strangers poses the question, what if it begins to stare back?
“Thousands have lived without love, not one without water” is the thread that ties River together.
In a film where right and wrong are so carefully defined, Fresh finds itself torn between genres.
More a symbolic than a literal figure, The Greenhouse is a head-trip where grief flourishes as vividly as ever.
“Keep noise to a minimum, they can hear you” is the overarching phrase that haunts the retelling of the tragedy in Spencer.
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