Weapons is equal parts scary, tense, silly, and funny, a crowd-pleasing mystery horror that keeps you grinning even as your knuckles go white.
Thunderbolts* delivers a surprisingly engaging team-up, proving that even the MCU’s outcasts can shine.
The Accountant 2 delivers a fun, action-packed ride, pivoting from its predecessor’s darker tone into a full-fledged action buddy-comedy.
Sinners is a visceral, genre-bending thrill ride that plunges audiences into a dark and dangerous Mississippi, where music and mayhem collide.
Mickey 17 is a thrilling, thought-provoking sci-fi adventure that blends Bong Joon-ho’s signature social satire with a career-best dual performance from Robert Pattinson.
The Monkey features a a mix of quirky comedy, graphic gore, and emotional family dynamics. It’s an ambitious, unconventional film that delivers plenty of entertainment, even if it doesn’t always find its footing.
Steven Soderbergh’s Presence offers a ghost story with a unique perspective, a grounded sense of unease, and strong character work.
In Wolf Man, Universal’s iconic lycanthrope receives a modern refresh centered on a father-daughter relationship that adds unexpected depth to the horror classic.
Moana 2, the long-awaited sequel to Disney’s beloved Polynesian adventure is visually stunning and heartwarming but treads too familiar waters to fully captivate.
Wicked enchants with dazzling visuals, catchy music, and strong performances, though its ambitious themes and runtime occasionally weigh it down.
There’s a unique discomfort in Audrey that grabs you from the start. In this pitch-black comedy, living vicariously through someone else’s achievements goes beyond a typical parental pastime; it becomes a fixation.
Venom: The Last Dance sticks to what made the first two films work—slapstick humor and the delightfully dysfunctional dynamic between Eddie and Venom.
Hellboy: The Crooked Man tries its hardest to deliver a fresh, horror-driven take on the famed comic character, but ultimately it stumbles through a tedious experience that fails to engage.
Joker: Folie à Deux boasts breathtaking production and stellar performances, but buckles under the weight of its unfocused, overly ambitious narrative.
The Substance is one of those films where you want to look away but can’t. It’s exploitative, revolting, ridiculous, and completely absorbing body-horror movie fun.
In Speak No Evil, director James Watkins invites viewers on a disturbing journey where a seemingly perfect weekend retreat unravels into a twisted psychological nightmare.
