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Reviews

'The Last Stop in Yuma County' Review: Crime Caper is a Hoot

By Nick Janks
06/09/24
Reviews

'Life After Fighting' Review: Punches Above its Weight

By Nick Janks
25/08/24

Life After Fighting is a a gritty, low-budget martial arts flick that plays like a love letter to the bone-crunching action movies of the 80s and 90s.

Reviews

'In a Violent Nature' Review: Gory, Atmospheric Horror

By Nick Janks
04/08/24

In a Violent Nature combines familiar horror tropes with stunning atmospheric dread to create a unique, if somewhat polarising slasher film experience.

Reviews

'Birdeater' Review: A Surreal Dive into Aussie Masculinity

By Pace Proctor
30/07/24

A surprising addition to the deep well of independent Aussie cinema, Birdeater is a truly impressive first outing.

Reviews

'Deadpool & Wolverine' Review: A Thrill-Ride for Marvel Superfans

By Nick Janks
29/07/24

Deadpool & Wolverine is a film that delivers on its promise of laughs and action, but it may not cater to all tastes.

Reviews

'MaXXXine' Review: A Bloody Love Letter to 80s Hollywood

By Oscar Jack
19/07/24

The finale of Ti West and Mia Goth’s trilogy of murder, porn and fame, MaXXXine, lovingly injects 80s Hollywood sleeze and delights in every drop of corn syrup blood.

Reviews

'Longlegs' Review: Squeamishly Excellent

By Jessica Seychell
17/07/24

In the recent surge of new-wave horror exploding on the film scene, no one could have predicted the excellence that is Nicolas Cage in Longlegs.

Reviews

'LaRoy, Texas' Review: A Quirky Crime Caper with Nostalgic Charm

By Nick Janks
16/07/24

LaRoy, Texas hits the mark as a quirky crime caper, just falling short of matching the quality of the films and filmmakers it emulates.

Reviews

'Hit Man' Review: A Stranger than Fiction Crime Caper

By Nick Janks
26/06/24

Richard Linklater’s Hit Man is a unique, quirky, and captivating film with a story that you wouldn’t believe actually happened.

Reviews

'The Ministry of Ungentlemanly Warfare' Review: A Slick Ride

By Nick Janks
21/06/24

Guy Ritchie strikes gold again with The Ministry of Ungentlemanly Warfare, a film that exudes style and coolness while delivering heart-pounding action and an engaging story.

Reviews

'Inside Out 2' Review: A Funny and Deeply Poignant Sequel

By Oscar Jack
16/06/24

For those who were anxious that Inside Out 2 would be another watered-down sequel, rest assured, this is a powerful film with emotional intelligence, stunning visual storytelling, and it may just be the funniest movie of the year.

Reviews

'The Strangers: Chapter 1' Review: A Horror Bust

By Pace Proctor
14/06/24

What do you get when you combine a laundry list of horror movie clichés with writing and directing that fundamentally misunderstands its own source material while clinging to the assertion that horror is the sum of its worst tropes? Well.

Reviews

'The Beast' Review - A Complex, Rewarding Viewing Experience

By Pace Proctor
06/06/24

Bertrand Bonello’s new film The Beast is incredible. Abundant in scope and brave in its ambition, this is the kind of movie that, for all the right reasons, begs the question, “How did this get made?”.

Reviews

'The Garfield Movie' Review: Lasagne and Laughs

By Nick Janks
29/05/24

The Garfield Movie marks a triumphant return of our favourite lasagne-loving feline to the big screen, offering a delightful mix of humour and heart, appealing to viewers of all ages.

Reviews

'Furiosa: A Mad Max Saga' is a Wild Ride Through the Wasteland

By Oscar Jack
24/05/24

Furiosa: A Mad Max Saga is a visually stunning yet narratively turbulent prequel, a vivid exploration of a world where mythic chaos reigns supreme.

Reviews

'Robot Dreams' Review: A Powerful and Profound Journey

By Pace Proctor
22/05/24

Robot Dreams captures the essence of friendship, longing, and the transformative power of companionship—all without a single word of dialogue.

Reviews

'Monster' (2023) Review: As Beautiful as it is Thrilling

By Pace Proctor
18/05/24

Monster is an impressive, sympathetic and engaging Japanese psychological mystery directed by Kore-eda Hirokazu from an award-winning screenplay written by Yuji Sakamoto.

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