The Australian horror-thriller You’ll Never Find Me emerges as a thrilling testament to the power of atmospheric storytelling.
Imaginary, directed by Jeff Wadlow, combines horror tropes and family drama with a lazy approach that sits comfortably in the realm of ‘dumb fun’.
The dynamic mind of Luca Guadagnino, best known for his powerhouse Call Me By Your Name (2017) and the horror gem Suspiria (2018), which made fanatics squirm, steers the director further into horror with Bones and All, creating a film that has just as much heart as it does bite.
Jordan Peele goes big with Nope but keeps true to his multilayered style, delivering a horror film with a lot to think about.
Filmmaker Peter Strickland has developed a shorthand for horror and tension in his cinematic oeuvre with a fetishistic soundscape of food, objects and even the idiosyncrasies of characters. His latest film, Flux Gourmet, sardonically offers a dual perspective on food as pleasure and pain.
The Innocents sees a small group of kids with telekinetic powers do some horrible things.
After much delay and deliberation, Morbius is finally here for die-hard comic book fans to feast on. But does the troubled villain flick live up to expectations? In a word, no.
Like an adult film, no one is watching a slasher for its plot. X is an erotic slasher with all the glory and sadly not enough of the gore.
In a film where right and wrong are so carefully defined, Fresh finds itself torn between genres.
The famous horror franchise Scream is back with a new entry in 2022, though it lacks new ideas and isn’t very scary.
Guillermo del Toro lends his production expertise to a deeply atmospheric and disturbing creature feature in Antlers.
Ethan Hawke plays a super creepy villain in the new supernatural horror film The Black Phone from Blumhouse and director Scott Derrickson.
The Scream reboot film is set to introduce the iconic Ghostface serial killer to a new generation of scared teens.
The famed survival horror video game franchise receives a new movie adaptation with this year’s Resident Evil: Welcome to Raccoon City and it looks faithful to the source material.
“Till death do us part” is the twisted omen that lingers throughout this film. In an eerie horrorscape built on the punishment of women, Till Death is a nuanced and enlightening take on feminist horror.
Wan claims to have gone back to his roots while keeping things fresh for audiences in his latest unique horror film, Malignant.
