The Substance is one of those films where you want to look away but can’t. It’s exploitative, revolting, ridiculous, and completely absorbing body-horror movie fun.
In Speak No Evil, director James Watkins invites viewers on a disturbing journey where a seemingly perfect weekend retreat unravels into a twisted psychological nightmare.
In a Violent Nature combines familiar horror tropes with stunning atmospheric dread to create a unique, if somewhat polarising slasher film experience.
The finale of Ti West and Mia Goth’s trilogy of murder, porn and fame, MaXXXine, lovingly injects 80s Hollywood sleeze and delights in every drop of corn syrup blood.
In the recent surge of new-wave horror exploding on the film scene, no one could have predicted the excellence that is Nicolas Cage in Longlegs.
What do you get when you combine a laundry list of horror movie clichés with writing and directing that fundamentally misunderstands its own source material while clinging to the assertion that horror is the sum of its worst tropes? Well.
The First Omen releases in the wake of various religious horror films coming to theatres as of late, but where does it sit?
In Abigail, audiences are treated to a spectacle of gore, laughter, and vampiric shenanigans that prove once again that not all horror needs to be so dark.
Ghostbusters: Frozen Empire is a charming yet convoluted romp through the world of the Ghostbusters.
Late Night with the Devil is a uniquely crafted satire-horror flick that solidly sets itself up as a soon-to-be Halloween staple.
Immaculate engulfs the viewer in a palpable sense of dread, set against the backdrop of a mysterious Italian convent.
The Australian horror-thriller You’ll Never Find Me emerges as a thrilling testament to the power of atmospheric storytelling.
Imaginary, directed by Jeff Wadlow, combines horror tropes and family drama with a lazy approach that sits comfortably in the realm of ‘dumb fun’.
The dynamic mind of Luca Guadagnino, best known for his powerhouse Call Me By Your Name (2017) and the horror gem Suspiria (2018), which made fanatics squirm, steers the director further into horror with Bones and All, creating a film that has just as much heart as it does bite.
Jordan Peele goes big with Nope but keeps true to his multilayered style, delivering a horror film with a lot to think about.
Filmmaker Peter Strickland has developed a shorthand for horror and tension in his cinematic oeuvre with a fetishistic soundscape of food, objects and even the idiosyncrasies of characters. His latest film, Flux Gourmet, sardonically offers a dual perspective on food as pleasure and pain.
