In Dune: Part Two, the saga continues as we follow Paul Atreides (Timothée Chalamet) and his journey through the treacherous landscapes of Arrakis and beyond.
American Fiction is a nuanced exploration of creativity and cultural identity, effectively bridging humour with thematically serious undertones.
Imaginary, directed by Jeff Wadlow, combines horror tropes and family drama with a lazy approach that sits comfortably in the realm of ‘dumb fun’.
The Zone of Interest presents a cinematic paradox, blending the mundane with the horrific in a manner that is both unsettling and profound.
Cobweb is an ambitious cinematic endeavour that intertwines the complexity of filmmaking with noir-esque elements, creating a tangled, charming, and intricate narrative.
All of Us Strangers, directed by Andrew Haigh, presents a story that is as thought-provoking as it is poignant.
Madame Web, the latest addition to the expanding Spider-Man universe, emerges as a curious artifact reminiscent of the early 2000s era of comic book adaptations (and not the good ones).
David Farrier’s documentary, Mister Organ, transcends the traditional true-crime genre, plunging viewers into the unsettling orbit of Michael Organ, a figure cloaked in charm yet harbouring a disturbing reality.
Aquaman and the Lost Kingdom plunges audiences into the mesmerising depths of the ocean, offering a visually stunning spectacle directed by the master of horror, James Wan.
Lyle, Lyle, Crocodile features some excellent music from popular singer Shawn Mendes, though everything else in this film is pretty unoriginal.
Jordan Peele goes big with Nope but keeps true to his multilayered style, delivering a horror film with a lot to think about.
Thor: Love and Thunder is as fun as any Marvel movie can be, at the cost of developing a genuine emotional connection.
Lightyear follows the adventurous journey of spaceman Buzz Lightyear (Chris Evans) as he navigates a precarious situation while learning to work as part of a team.
The Innocents sees a small group of kids with telekinetic powers do some horrible things.
Doctor Strange in the Multiverse of Madness is an absolutely manic yet digestible couple of hours of cinema if you can turn your brain off.
Robert Eggers’ The Northman might lack heart, but it’s undoubtedly hard to look away from, with unbridled energy and machismo not seen since the action-movie glory days of the 80s and 90s.
