The Garfield Movie marks a triumphant return of our favourite lasagne-loving feline to the big screen, offering a delightful mix of humour and heart, appealing to viewers of all ages.
Kingdom of the Planet of the Apes serves up a rich blend of action, adventure, and character-driven storytelling, marking a vibrant continuation of the beloved franchise.
Ryan Gosling’s stunt-filled spectacle in The Fall Guy delivers thrilling action and laughs, even if the romance fails to fully ignite.
In Abigail, audiences are treated to a spectacle of gore, laughter, and vampiric shenanigans that prove once again that not all horror needs to be so dark.
In Civil War, the audience is thrust into a whirlwind of conflict that keeps them on the edge of their seats from start to finish.
Godzilla x Kong: The New Empire continues the MonsterVerse saga by pitting the iconic Godzilla and Kong against new, formidable threats.
Immaculate engulfs the viewer in a palpable sense of dread, set against the backdrop of a mysterious Italian convent.
Roadhouse emerges as a spirited echo of its predecessor, albeit slightly toned down in the cheese department, though that doesn’t detract from its inherent silliness and fun.
The Australian horror-thriller You’ll Never Find Me emerges as a thrilling testament to the power of atmospheric storytelling.
In Dune: Part Two, the saga continues as we follow Paul Atreides (Timothée Chalamet) and his journey through the treacherous landscapes of Arrakis and beyond.
American Fiction is a nuanced exploration of creativity and cultural identity, effectively bridging humour with thematically serious undertones.
Imaginary, directed by Jeff Wadlow, combines horror tropes and family drama with a lazy approach that sits comfortably in the realm of ‘dumb fun’.
The Zone of Interest presents a cinematic paradox, blending the mundane with the horrific in a manner that is both unsettling and profound.
Cobweb is an ambitious cinematic endeavour that intertwines the complexity of filmmaking with noir-esque elements, creating a tangled, charming, and intricate narrative.
All of Us Strangers, directed by Andrew Haigh, presents a story that is as thought-provoking as it is poignant.
Madame Web, the latest addition to the expanding Spider-Man universe, emerges as a curious artifact reminiscent of the early 2000s era of comic book adaptations (and not the good ones).
