Disney+ recently launched their new general entertainment brand, Star, with hundreds of new titles arriving on the streaming platform.
Judas and the Black Messiah takes you into the tragic true story of Black Panther Party chairman Fred Hampton and William O’Neal’s lives.
Boss Level is an action/sci-fi film from the mind of Joe Carnahan, best known for Smoking Aces (2006) and The A-Team (2010).
Minari is a wonderfully shot, exceptionally profound drama film that focuses on the intersection between family and living one’s dream.
I Care a Lot is a dark-comedy thriller focusing on the “care”, which is in quotes because the main character does not actually care for them: the elderly and their lack of autonomy.
The hotly anticipated Mortal Kombat reboot and new adaptation of the popular video game gets a delightfully gory first trailer.
Directed by Thomas Vinterberg and starring crowd favourite Mads Mikkelsen, Another Round (or Druk as it’s titled in Danish, which loosely translates to ‘binge drinking’) is a film that dives into the ups, downs, and all-arounds of alcohol.
Emma Stone stars as the classic Disney villain Cruella de Vil in the new live-action prequel to 101 Dalmatians (1961).
Directed by Mona Fastvold, The World to Come is a 19th-century same-sex romance story set on the icy backdrop of a secluded farmhouse.
An epic trailer has been released for the hotly anticipated 4-hour edition of Zack Snyder’s Justice League, coming soon to HBO Max.
The Mauritanian is one of many films that deal with the Homeland Security aspect of the American justice system. It is a hard topic to touch upon.
The new trailer for Disney’s Raya and the Last Dragon showcases more of its hero’s journey and the film’s stunning animation design.
The Little Things pays homage to 90s serial killer cop dramas and features award-winning actors that deserve to be in a better movie together.
Brisbane native Josh Lawson directs Long Story Short, a romantic drama with a Twilight Zone-like twist centered around a man (Rafe Spall) who mysteriously jumps forward one year in time every few minutes after his wedding day.
Recently, directors everywhere have tried to make the first successful pandemic-era film, and none have succeeded. They try, and make them unrealistic, dull, and sort of a humdrum. It was not until Iuli Gerbase’s debut feature The Pink Cloud arrived to accurately portray the world we live in today.
With live performances returning to some areas of the world recovering from the pandemic, David Byrne shows us what we were missing with American Utopia, directed by veteran filmmaker Spike Lee.
