In Abigail, audiences are treated to a spectacle of gore, laughter, and vampiric shenanigans that prove once again that not all horror needs to be so dark.
The film sees a group of kidnappers hold the young daughter of a crime lord for ransom, only to find themselves terrorised by the child, who reveals herself to be a vampire. As this film unfolds, it quickly becomes evident that Abigail is not your typical horror flick but rather an over-the-top carnival of the macabre, perfectly suited for those who like their scares served with a side of absurdity.
At the heart of Abigail lies a blend of vampire lore that straddles the line between the archaic and the contemporary. This concoction of old and new mythologies is a refreshing revival for the often predictable vampire genre. The film respects the traditions that have enthralled audiences for decades while remaining playful and innovative, adding depth to what could easily have been a one-dimensional bloodfest.
The performances, much like the film itself, are delightfully exaggerated. Melissa Barrera and Dan Stevens lead a cast that chews the scenery with as much gusto as the titular character does her victims. This over-the-top theatricality syncs perfectly with the film’s tone—never too serious, always entertaining. Their commitment to the film’s exaggerated style helps anchor the fantastical elements in a reality that is engaging, making the more unbelievable moments easier to swallow.
Humour plays a big part in the film, sustaining its momentum even as the plot occasionally loses pace in the later stages. The timing of the comedic elements is effective, ensuring that the mood remains light and the audience engaged despite the darker themes at play. This strategic use of fun enhances the entertainment value and ensures that the film’s horror elements are accessible without being overwhelming.
It’s not all smooth sailing, however, as the film tends to drag its feet as it approaches its climax, with a pacing that falters just when it should be sprinting towards the finish line. This sag in momentum is noticeable, and it momentarily takes the bite out of what is otherwise a good time.
The gore in Abigail deserves a special mention—not because it breaks new ground, but because it doesn’t try to. It’s gloriously overdone with a gleeful disregard for subtlety that fits perfectly within the film’s aesthetic. This is a gore spectacle and an integral part of what makes the movie such an easy and enjoyable watch for those who can stomach it.
Abigail is a film that knows exactly what it is and whom it’s for. It revels in the absurd, a blood-soaked romp built from the pieces of countless vampire movies. While it may not redefine the genre, it certainly reminds us why these creatures of the night have fascinated us for so long. Ultimately, Abigail offers a night at the movies that promises—and delivers—a bloody good time.
Fun Fact:
The film is dedicated to Angus Cloud who passed in July 2023. It was his final role.
COMMENTS