The Substance is one of those films where you want to look away but can’t. It’s exploitative, revolting, ridiculous, and completely absorbing body-horror movie fun.
Deadpool & Wolverine is a film that delivers on its promise of laughs and action, but it may not cater to all tastes.
LaRoy, Texas hits the mark as a quirky crime caper, just falling short of matching the quality of the films and filmmakers it emulates.
Richard Linklater’s Hit Man is a unique, quirky, and captivating film with a story that you wouldn’t believe actually happened.
What About Sal? is an Australian independent feature film and the third film written by, co-starring, and directed by screen legend John Jarratt (Wolf Creek).
Housekeeping for Beginners is a found-family story that has been told countless times: it has an eternal power to it.
Ryan Gosling’s stunt-filled spectacle in The Fall Guy delivers thrilling action and laughs, even if the romance fails to fully ignite.
In Abigail, audiences are treated to a spectacle of gore, laughter, and vampiric shenanigans that prove once again that not all horror needs to be so dark.
In her first ever feature film Miller’s Girl, upcoming director Jade Halley Bartlett tells a story about the debatable relationship between a school teacher and his 18 year old student, whose interest and knowledge of literature makes her stand out from others.
American Fiction is a nuanced exploration of creativity and cultural identity, effectively bridging humour with thematically serious undertones.
Cobweb is an ambitious cinematic endeavour that intertwines the complexity of filmmaking with noir-esque elements, creating a tangled, charming, and intricate narrative.
Lyle, Lyle, Crocodile features some excellent music from popular singer Shawn Mendes, though everything else in this film is pretty unoriginal.
Filmmaker Peter Strickland has developed a shorthand for horror and tension in his cinematic oeuvre with a fetishistic soundscape of food, objects and even the idiosyncrasies of characters. His latest film, Flux Gourmet, sardonically offers a dual perspective on food as pleasure and pain.
The Nic Cage renaissance continues with The Unbearable Weight of Massive Talent, the eccentric actor’s most meta project to date.
As ever-changing Australian Iconography is scattered across every wall, Friends and Strangers poses the question, what if it begins to stare back?
In a film where right and wrong are so carefully defined, Fresh finds itself torn between genres.
