Kusama: Infinity finally highlights an incredible talent.
Like a beaten Volkswagen Beetle in need of a service, the Transformers film series has been long overdue for repairs with audiences gradually losing interest in the franchise.
Set a couple of decades after she’d first visited the Banks children, Mary Poppins (Emily Blunt), by way of a magical flying kite, returns to the Banks home.
‘Let’s do this one last time’ narrates Peter Parker in the opening scene of Spider-Man: Into the Spider-Verse from Sony Pictures Animation, fully acknowledging an overuse of the character in film.
You’ll probably be wondering why this movie was called Peppermint for hours after seeing it. Being that it was the flavour of an ice cream only referenced once in the entire movie, it’s pretty easy to miss the relevance.
There was a lot of hype surrounding Peter Jackson’s new film Mortal Engines, hype that I feel was all talk and no walk. After having watched the trailer, I felt I’d seen the whole movie. Then I watched the whole movie and what do you know, I definitely could have just left it at the trailer.
Dancers. A party. Vinyl. Sangria. These are the story-summarising title cards featured in the trailer from provocative director Gaspar Noe in his 2018 French-musical-horror spectacle Climax.
Overlord wastes no time in telling you what kind of movie it’s going to be. A no-holds-barred war film that involves Nazi superhumans reads like a typical B-movie on paper, but Overlord has the budget to push the visuals and gore effects to new heights and doesn’t disappoint in that department.
The Coming Back Out Ball Movie is an observational documentary, focusing on a group of elderly LGBTI+.
Creed II is one of the better additions to the Rocky franchise. Bringing to a cathartic climax the emotional tensions of the previous Creed movie, as well as the first four Rocky films.
Not so much the story of a racehorse as it is the story of a boy finding his way in a lonely world, Lean on Pete captures the sad reality of youth living in poverty within a society that has all but forgotten it.
Channelling his inner Michael Mann, director Steve McQueen’s latest, Widows, is the best heist crime-drama since Mann’s seminal 1995 film, Heat.
It doesn’t have the roaring Whitney Houston ballad of Robin Hood: Prince of Thieves (1991) or the Mel Brooks hilarity of Robin Hood: Men in Tights (1993), but Director Otto Bathurst’s new take on the oft-repeated tale has one thing these older versions don’t.
Historical epics are usually reserved for the ultimate cinematic experience. Outlaw King, whilst keeping an epic scale comes straight to Netflix, yet effectively loses none of its widescreen beauty and metal clanking blood-soaked battle scenes.
The outset of Disney’s The Nutcracker and the Four Realms establishes the main character as an intelligent girl who builds and corrects machinery as a way of fixing her problems.
The Children Act, directed by Sir Richard Eyre is a film starring Emma Thompson and Stanley Tucci.
