The claymation masters at Aardman Animations are back at it again with Shaun the Sheep’s second big-screen adventure, Farmageddon.
Sam Mendes’ WWI-themed 1917 looks and sounds amazing, making for a truly visceral viewing experience. Its single-take format is technically remarkable, though it suffers from a lack of character development.
In Greta Gerwig’s adaptation of Louisa May Alcott’s 1868 novel Little Women, die or “get married by the end” are the two options given to aspiring author Josephine “Jo” March (Saoirse Ronan) when negotiating a publishing deal.
Like an exquisite painting itself, Portrait of a Lady on Fire will have you enraptured with its serene beauty, delicate detail, and careful storyline.
It was a brave move by Sony to release a sequel to Jumanji (1995) back in 2017. Would people be interested in a sequel to a film that had been in development hell for almost as long as Robin Williams’s character had been trapped inside the titular board game?
A film that has garnered as much applause as it has awkward collar tugs, 20th Century Fox’s ‘anti-hate’ dark-comedy Jojo Rabbit enters the Awards season as 2019s most controversial contender for the gold statue.
Like everyone with access to the internet, I saw the two baffling trailers to Cats. The trailers are the epitome of creepiness and I would gleefully show them to friends/acquaintances/work colleagues who mentioned they were yet to set eyes on the CGI cat celebrities, so I was fully expecting the film to be a slightly off-color cinematic experience.
Star Wars: The Rise of Skywalker concludes the forty-plus year-long saga of the Skywalker family, and while it does provide closure, the journey there is mind-numbing.
Remember when Vin Diesel took a break from driving furiously fast and ended up undercover as a babysitter having to take care of three unruly kids in The Pacifier (2005)? Well, replace Diesel with the bulky John Cena, reuse a few of the same man-struggles-to-provide-basic-care-to-children gags, throw in a storyline about pseudo-macho smokejumpers and you have the moderately funny flick Playing with Fire.
Daniel Craig and his fellow ensemble stars are the highlight of the cleverly written ‘whodunnit’ from Rian Johnson, Knives Out.
Here to entertain the little ones and eventually drive the older ones a tad bonkers, Anna (Kristen Bell), Elsa (Idina Menzel) and their motley crew have returned in style in Frozen 2, Disney’s follow-up to the 2013 smash hit. Is the world ready for another round of soaring songs and the talking, walking, snowman? Probably not, but Disney has delivered nonetheless.
Judy & Punch is magic. It’s dark and twisted and will have you laughing at events you’d ordinarily react to in horror. It will also have you flinching and looking away from the screen as your stomach churns. But most importantly, you won’t be able to look away.
There is much to be said about releasing a Charlie’s Angels instalment in a time where gender inequality and female representation are (rightfully) heated topics.
With a slight Oscar buzz about it, James Mangold’s latest film Ford v Ferrari roars onto our screens with a rev of the engine and a whiff of excitement.
Starring a cast of mostly amateur actors, Imogen Thomas’s debut film Emu Runner offers a delicate rendering of a young girl’s grief. In the rural NSW town of Brewarrina, the sudden death of a young mother leaves a family reeling.
A rumination on youth, success, relationships, paralysis and fading, Pain and Glory offers a poignant insight into the life of an acclaimed, aging director. Pedro Almodóvar directs Antonio Banderas in a self-modelled role to explore with great subtlety the reflectiveness evoked when an individual’s physical impasse is reached.
