Nicholas Jarecki’s Crisis seeks to unveil the stigma behind addiction and raise awareness about the opioid epidemic affecting so many in the world right now.
Michelle Pfeiffer dives into her most spirited role in years, playing a widowed New York socialite who shifts her and her son’s mundane life to Paris in the utterly surreal comedy, French Exit.
Come True takes audiences on a deep dive into the psyche of a troubled teen battling her inner demons of mental illness, sleep disorder, and broken home life.
After working as an assistant director for Yorgos Lanthimos and Richard Linklater, Christos Nikou gives us his directorial debut film, Apples.
Cosmic Sin is a Bruce Willis and Frank Grillo-starring sci-fi film that’s so bad it has little-to-no redeeming qualities.
One of the most famous and alluring exports of modern Spanish cinema, Pedro Almodóvar, is back with a new short film, The Human Voice.
Chloé Zhao directs Nomadland, a remarkable and moving story of loss and how it affects those left behind.
Quo vadis, Aida? is based on a harrowing true story about the atrocities of war in mid-90s Bosnia.
Raya and the Last Dragon feels like a production-line addition to Disney’s animated films that ticks all the boxes but delivers nothing unexpected or of unique value.
Director Quentin Reynaud’s Final Set is an off-beat sports tale centred around an ageing tennis protege who dreams of becoming something more while tackling some taxing personal problems.
Following up their directorial work on the highest-grossing film of all time, Avengers: Endgame (2019), the Russo’s are back in the director’s chair with Cherry.
Isabelle Huppert stars as a no-nonsense Franco-Algerian Police Interpreter turned audaciously revered drug kingpin in Jean-Paul Salomé’s The Godmother.
Judas and the Black Messiah takes you into the tragic true story of Black Panther Party chairman Fred Hampton and William O’Neal’s lives.
Boss Level is an action/sci-fi film from the mind of Joe Carnahan, best known for Smoking Aces (2006) and The A-Team (2010).
Minari is a wonderfully shot, exceptionally profound drama film that focuses on the intersection between family and living one’s dream.
I Care a Lot is a dark-comedy thriller focusing on the “care”, which is in quotes because the main character does not actually care for them: the elderly and their lack of autonomy.
