Set in the icy tundra of Manitoba, Canada, The Ice Road is a race-against-time action thriller that pits Liam Neeson not only against thin ice roads that could crack at any minute but also corporate greed.
James Gunn takes DC Comics’ second-rate supervillains and gives them the first-rate treatment in the spectacular The Suicide Squad.
Jungle Cruise is the epic, fantastical, laugh out loud, complete movie experience adventure our pandemic-weary smiles have been craving.
Fanny Lye Deliver’d is a quasi-Western set just after the English Civil War, circa 1657, in a period of moral and sexual liberation, as well as barbaric violence.
Netflix’s Blood Red Sky features an interesting take on the classic plane hijacking thriller by adding a vampire element but unfortunately loses itself by the end.
Nic Cage flexes his acting muscles alongside a truffle pig in the best movie of 2021 so far: Pig.
Is it hard to believe that another G.I. Joe movie is terrible? Snake Eyes is an uninteresting, dull, and plodding origin story that fails to revive the franchise.
M. Night Shyamalan’s Old takes a horrifying premise and keeps the audience on edge until, in classic fashion, a big twist reveals all.
Embattled is a thematically dense family drama film based in the world of MMA, focusing on an abusive father-son dynamic.
Space Jam: A New Legacy is yet another sequel that nobody asked for, a harmless mess with meta-references and cameos by the boatload while outdoing itself in cringe and camp without any wit.
Chris Pratt stars alongside millions of ravenous CGI aliens in the forgettable time-travel action romp, The Tomorrow War.
The first film of the MCU’s fourth phase, Cate Shortland’s Black Widow, is an entertaining spy flick with a talented cast though it feels too-little-too-late.
Dating Amber centres on Eddie and Amber, two gay teenagers who fake a romantic relationship at school to convince their tormenting classmates they are straight and otherwise ‘normal’.
In 1995 the world’s first gay rugby club, the Kings Cross Steelers, formed over a radical idea and a few drinks in a London Pub.
Beware of a woman with nothing to lose. The Icelandic political thriller, The County, sees a farming woman single-handedly take on the stand-over co-op responsible for the death of her loved husband and enslaving her farming community as cash cows.
With a loose narrative, lack of suspense or scares, and an untidy script, False Positive ends up being an uninteresting thriller.
