After much delay and deliberation, Morbius is finally here for die-hard comic book fans to feast on. But does the troubled villain flick live up to expectations? In a word, no.
Ambulance sees the return of the true summer popcorn movie with an easy-to-follow story, outrageous chase scenes and explosions, and even a little bit of melodrama.
Fantastic Beasts: The Secrets of Dumbledore is a film that’s outrageously entertaining to hardcore Harry Potter fans but a confusing mess to the rest of us.
A film that is experienced more than viewed, Memoria brings slow cinema to the forefront of arthouse films.
Like an adult film, no one is watching a slasher for its plot. X is an erotic slasher with all the glory and sadly not enough of the gore.
As ever-changing Australian Iconography is scattered across every wall, Friends and Strangers poses the question, what if it begins to stare back?
“Thousands have lived without love, not one without water” is the thread that ties River together.
Matt Reeves’ The Batman features one of the darkest and most grounded portrayals of the popular superhero yet.
In a film where right and wrong are so carefully defined, Fresh finds itself torn between genres.
The beloved Sony video game franchise Uncharted finally gets its long-awaited adaptation for the big screen.
The effect of watching Preparations to Be Together for an Unknown Period of Time is the same as not watching it.
More a symbolic than a literal figure, The Greenhouse is a head-trip where grief flourishes as vividly as ever.
Marry Me is cliché-packed but entirely endearing, making for a mostly enjoyable musical rom-com.
Roland Emmerich dips his toe back into the doomsday movie genre once again with Moonfall. This time the biggest disaster is the movie itself.
Jane Campion’s The Power of the Dog sees the Kiwi director again displaying her under-praised and little-spoken genius.
“Keep noise to a minimum, they can hear you” is the overarching phrase that haunts the retelling of the tragedy in Spencer.
