Guy Ritchie strikes gold again with The Ministry of Ungentlemanly Warfare, a film that exudes style and coolness while delivering heart-pounding action and an engaging story.
For those who were anxious that Inside Out 2 would be another watered-down sequel, rest assured, this is a powerful film with emotional intelligence, stunning visual storytelling, and it may just be the funniest movie of the year.
What do you get when you combine a laundry list of horror movie clichés with writing and directing that fundamentally misunderstands its own source material while clinging to the assertion that horror is the sum of its worst tropes? Well.
Bertrand Bonello’s new film The Beast is incredible. Abundant in scope and brave in its ambition, this is the kind of movie that, for all the right reasons, begs the question, “How did this get made?”.
The Garfield Movie marks a triumphant return of our favourite lasagne-loving feline to the big screen, offering a delightful mix of humour and heart, appealing to viewers of all ages.
Furiosa: A Mad Max Saga is a visually stunning yet narratively turbulent prequel, a vivid exploration of a world where mythic chaos reigns supreme.
Robot Dreams captures the essence of friendship, longing, and the transformative power of companionship—all without a single word of dialogue.
Monster is an impressive, sympathetic and engaging Japanese psychological mystery directed by Kore-eda Hirokazu from an award-winning screenplay written by Yuji Sakamoto.
What About Sal? is an Australian independent feature film and the third film written by, co-starring, and directed by screen legend John Jarratt (Wolf Creek).
The Sweet East is both the directorial debut of indie cinematographer turned director Sean Price Williams and the first-time screenwriting effort of prolific film critic Nick Pinkerton. Although, considering how expertly directed, written, and performed it is, you wouldn’t really know it.
Housekeeping for Beginners is a found-family story that has been told countless times: it has an eternal power to it.
Dev Patel comes out swinging with Monkey Man, a John-Wick-esque action-thriller that makes revenge look as sweet as ever.
Kingdom of the Planet of the Apes serves up a rich blend of action, adventure, and character-driven storytelling, marking a vibrant continuation of the beloved franchise.
Challengers is a fast-paced drama broken into many different time periods over the span of our characters’ complex lives.
There are a few times during The Road to Patagonia that the cynical urge arises to dismiss ecologist Matty Hannon’s motorcycle journey down the Americas as a vlog of quintessential white Aussie spiritual tourism.
Babak Jalali’s Fremont is a visual and emotional feast, following a young Afghan woman trying to find bliss for our troubled past.
