Starting with a warning of strobing lights, violence, and gore, Prano Bailey-Bond’s directorial debut, Censor, takes a deep dive into the atmospheric 80s video nasty’s scene and the era of video censorship.
What do you get when you combine a love for cinema, a quirky family, robots who are taking over the world, and the producers behind The Lego Movie (2014)? You get the fascinating, charming, and hilarious Netflix animated film, The Mitchells vs. the Machines.
London’s National Theatre delivers an original film for television, a glossed and stylised theatrical adaptation of Shakespeare’s masterpiece, Romeo & Juliet.
Oh, wouldn’t it be nice to spend the summer in Greece? First, it was Meryl Streep and company singing and dancing ABBA songs on the Greek islands in the Mamma Mia! films, and now we have Sebastian Stan and Denise Gough partying and travelling the country in Monday.
Director Ben Wheatley delivers us a new pandemic-inspired horror film with In the Earth.
Arthouse horror is a subgenre that is difficult to master. It serves tough topics through rawness and bloody spheres. Lee Haven Jones’ debut feature, The Feast, is a decent entry into the sub-genre that mixes oddness with the vicious slits of gore while tackling class and identity.
Adapted from her own 2018 short film of the same name, Emma Seligman’s directorial debut, Shiva Baby, now hits our screens.
The pandemic has affected every one of us, including the pop phenomenon Charli XCX, whose documentary, Alone Together, was made in isolation.
How it Ends is an end-of-the-world quirky comedy starring Zoe Lister-Jones (who also co-writes and directs).
Violation takes a different tone in covering a complex topic, getting all the “subgenre regulations” out of the way, both for better and worse.
There are many films that deal with unwanted pregnancies and the different ways of handling them, but none as inventive as Ninjababy.
Since its premiere at the 2020 Sundance Film Festival, audiences have heard great to amazing things about The Father and Anthony Hopkins’ performance in the film.
Baby Driver (2017) director Edgar Wright makes his documentary debut with The Sparks Brothers, focusing on the American pop-rock band, Sparks.
After working as an assistant director for Yorgos Lanthimos and Richard Linklater, Christos Nikou gives us his directorial debut film, Apples.
One of the most famous and alluring exports of modern Spanish cinema, Pedro Almodóvar, is back with a new short film, The Human Voice.
Quo vadis, Aida? is based on a harrowing true story about the atrocities of war in mid-90s Bosnia.
