Lords of Chaos is the upcoming biographical horror story about the Norwegian black metal band Mayhem from Swedish director Jonas Åkerlund.
Oscar-winning director Steven Soderbergh and the Oscar-winning screenwriter of Moonlight (2016) Tarell Alvin McCraney join forces on the new basketball drama High Flying Bird for Netflix.
Puberty is an unenjoyable experience for all, and where coming-of-age films have failed to look at teenage-dom through this lens of authenticity, comedian Bo Burnham succeeds in his extremely sincere writing and directorial debut, Eighth Grade.
Cate Blanchett stars in the new drama/comedy/mystery film from acclaimed director Richard Linklater, Where’d You Go, Bernadette.
Writer and director Francis Lee has enrolled the acting chops of Kate Winslet and Saoirse Ronan for the upcoming drama Ammonite.
When most people think about Zach Braff, the first thing they will think about is his role as J.D. in the hit TV series Scrubs.
Because limiting the list to 10 unreleased films was just too hard.
Dancers. A party. Vinyl. Sangria. These are the story-summarising title cards featured in the trailer from provocative director Gaspar Noe in his 2018 French-musical-horror spectacle Climax.
The coming-of-age US indie darling from comedian Bo Burnham and starring rising talent Elsie Fisher, Eighth Grade, gets an Australian release date.
It appears that more and more actors are diving into passion projects, having their own movies made where they are either the star, the writer, the director, the producer and sometimes even all of the above.
Creed II is one of the better additions to the Rocky franchise. Bringing to a cathartic climax the emotional tensions of the previous Creed movie, as well as the first four Rocky films.
Tess Dobré talks with April Shepherd about all things Sugar Cube, Melbourne’s hospitality community and portraying strong female protagonists.
Not so much the story of a racehorse as it is the story of a boy finding his way in a lonely world, Lean on Pete captures the sad reality of youth living in poverty within a society that has all but forgotten it.
The elements which make for great desserts can also be found in the qualities of a great film. They are sweet, dense and can leave a great taste long after their consumption.
Channelling his inner Michael Mann, director Steve McQueen’s latest, Widows, is the best heist crime-drama since Mann’s seminal 1995 film, Heat.
Historical epics are usually reserved for the ultimate cinematic experience. Outlaw King, whilst keeping an epic scale comes straight to Netflix, yet effectively loses none of its widescreen beauty and metal clanking blood-soaked battle scenes.
