Marvel Studios has dropped the first teaser trailer for Shang-Chi and the Legend of the Ten Rings, and it looks refreshing.
Writer/Director Sam Curtain pulls no punches in the unsettling, terrifying and intense horror feature, The Slaughterhouse Killer.
Director Ben Wheatley delivers us a new pandemic-inspired horror film with In the Earth.
The final years of Billie Holiday’s life, her struggles to maintain her prolific image and the hardships of being a person of colour during the prohibition era are poorly represented in the lacklustre biopic, The United States vs. Billie Holiday.
Toni Collette and Damian Lewis star in Dream Horse, an uplifting story of a small-town uniting to breed and raise a racehorse.
Stanley Tucci and Colin Firth prove they are still masters of their craft in Supernova, a choppy story of love, regret and saying goodbye.
Vin Diesel and the gang are back for the next instalment of the epic Fast & Furious franchise, and the filmmakers have once again outdone themselves.
A soldier is always at war, even after his mission is finished. That’s the idea behind Escape and Evasion, a film written and directed by Storm Ashwood.
Ryan Reynolds and Samuel L. Jackson return in the sequel film The Hitman’s Wife’s Bodyguard, which features many bodyguarding hijinks like the first film.
The stylish trailer for Zack Snyder’s Army of the Dead film for Netflix has dropped, and it features some cool-looking zombie-movie action.
Enjoy the new short film from the popular Hotel Transylvania franchise, Monster Pets, which features some hilarious fluffy monster shenanigans.
Good and even great films can be hamstrung by going for a PG-13 rating, rather than letting go of the brake and running full steam towards the R-rating that Voyagers so clearly deserves.
Angelina Jolie joins an impressive supporting cast in acclaimed writer/director Taylor Sheridan’s latest crime-thriller, Those Who Wish Me Dead.
Rebecca Hall stars in the creepy new horror film The Night House, which sees a widowed woman uncover some dark secrets about her late husband.
Meandering along a very well-worn path, Embryo constantly blends genres, tone and purpose, and at times its incoherent nature makes for a lack of an emotional connection.
Arthouse horror is a subgenre that is difficult to master. It serves tough topics through rawness and bloody spheres. Lee Haven Jones’ debut feature, The Feast, is a decent entry into the sub-genre that mixes oddness with the vicious slits of gore while tackling class and identity.
