With films like Independence Day (1996) and The Day After Tomorrow (2004), Roland Emmerich knows how to do disaster movies, and he knows how to do them well.
Hollywood’s biggest stars feature in the fun new action-adventure film Red Notice for Netflix.
Wan claims to have gone back to his roots while keeping things fresh for audiences in his latest unique horror film, Malignant.
Language Lessons is a poignant tale of a burgeoning friendship across seas and devices starring Natalie Morales and Mark Duplass.
Disclosure is a confronting tale about two close couples whose friendships implode through the allegation that one of their children was sexually abused by the other.
You Cannot Kill David Arquette is the redemptive tale of washed-up Hollywood actor David Arquette and his attempt to redeem the mistakes of his past.
Dan Stevens and Maren Eggert star in the German science-fiction romance film I’m Your Man, and it looks full of heart and charm.
The highly anticipated first trailer for Spider-Man: No Way Home has dropped, and there’s a lot to get excited about in this upcoming sequel.
A schoolteacher with a sketchy past and his family get thrown into a twist-filled thrill-ride that really delivers in Coming Home in the Dark.
The final Eternals trailer sees a unique group of godlike superheroes unite to take on a new world-ending threat.
1st Year Checking director Michael Messner takes the viewer on a journey through the eyes of a 12-year-old hockey player and all the complications that befall them in their supposedly innocent sport.
After the band Sparks’ two previous failed attempts to make a musical film, first with Italian slapstick actor Jacques Tati, then with Tim Burton, the third time is the charm in French filmmaker Leos Carax’s Annette.
Although Edson Oda’s Nine Days features a good concept about existentialism and the decisions we make in life, the final product isn’t as good as the concepts it tackles and ends up leaving a pretentious aftertaste.
Come Play is a horror film with profound themes, but its concept is too silly to be taken seriously.
Beckett starts quickly with thrills and a pulsing score, but as the mystery begins to unravel, it ends up being yet another thriller that copies Hitchcock’s North by Northwest (1959).
Free Guy uses a quippy concept of an open-world multiplayer video game combined with The Truman Show (1998) to try and deliver a witty and entertaining popcorn flick. Its charm fades away quickly, and it drags a lot in its second half; at least Jodie Comer is there to lift its low moments.
