It was a humid day in Melbourne and I was glad to get inside the cinema to watch the premiere of The Snowman, hoping the air-conditioning would be as freezing as the evocative visuals of director Tomas Alfredson. Particularly those stark, stunning shots of the wintery Norwegian snow-covered hills around Oslo and Bergen, as advertised in the film’s trailer.
The Bad Batch is candy for your ears and eyeballs, but contains little nutrition regarding storyline. But maybe that’s all you’re looking for in a movie?
Director Adam Wingard walked haplessly into the volley fire of internet-trench-warfare in August, as Netflix deployed it’s much anticipated American adaption of Death Note.
